<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>James Baldwin on Sunday Evening Review</title><link>https://sundayeveningreview.com/tags/james-baldwin/</link><description>Recent content in James Baldwin on Sunday Evening Review</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Tue, 02 Jun 2026 06:00:00 -0500</lastBuildDate><atom:link href="https://sundayeveningreview.com/tags/james-baldwin/index.xml" rel="self" type="application/rss+xml"/><item><title>James Baldwin's Best Books: Where to Start and Where They Take You</title><link>https://sundayeveningreview.com/ideas/james-baldwin-best-books/</link><pubDate>Tue, 02 Jun 2026 06:00:00 -0500</pubDate><guid>https://sundayeveningreview.com/ideas/james-baldwin-best-books/</guid><description>&lt;p>James Baldwin wrote about what it costs to be alive in America if the country has decided you&amp;rsquo;re only partly part of it. He wrote essays that read like urgent letters and novels that read like music and witness journalism that reads, fifty years later, like something written this morning. I&amp;rsquo;ve been reading him since I was nineteen years old and I haven&amp;rsquo;t run out of things to find.&lt;/p>
&lt;p>If you read &lt;em>Go Tell It on the Mountain&lt;/em> in a college classroom and put it down at the last page and haven&amp;rsquo;t picked up another Baldwin since, I understand. Academic framing does strange things to a book. You end up writing a paper about it instead of living inside it. My suggestion is to set that novel aside for a while and begin somewhere else, then come back to it when you&amp;rsquo;re ready, and you&amp;rsquo;ll find it&amp;rsquo;s a different book than the one you thought you remembered.&lt;/p></description></item></channel></rss>